From Gradual Hate Records comes a digital-only release that is both deeply immersive and lush. Nachtstücke is the latest release from Hiemis.
From Bandcamp: “Nachtstücke” is a look at that universe where disturbing characters live that become oracles, supposedly trivial images that contain a mystery, as well as threatening inventions that never cease to amaze us.”
Much of the majesty of this recording in all of its depth and immersion lies in some reverb-drenched, multi-layered ambient drones that often are progressively built up. There seems to be some subtle nuances of field recordings which give some of the tracks in the album a very slight cinematic effect. Track 1, “Der Magnetiseur” is a good example of that.
However, a more experimental angle is going on with “Die Automate” where we have some high-speed wind-like ambient planes with some very low-end pulsating bass noise. Then the piece opens up, experimenting with some string plucks and found object strikes to a very moving, vast and uplifting composition. It becomes a very picturesque dark ambient track suitable for the soundtrack of someone peering out a sea-side window.
“Der Sandmann,” however, starts off with a flurry of environmental activity and seems to leave the ambient piece in the backdrop, however briefly. Some beautiful piano and string sounds are now incorporated giving more of a nostalgic, melancholic, yet neo-classical feel, rather than dark ambient/drone. “Vampirismus” is an extremely vast-sounding with an unending reverb-soaked base and is yet another great example of why this album has no problem swallowing the listener whole.
For a release that is predominantly dark ambient/drone in its foundation, there indeed is quite a bit of flexibility and experimentation with Nachtstücke. The album seems to want to tell a story rather than simply provide accompaniment for a long journey. With that said, fans from neo-classical to dark ambient will find something to love herein.